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Reading Lolita in Tehran A Memoir in Books. Cover Image Book Book

Reading Lolita in Tehran A Memoir in Books.

Nafisi, Azar. (Author).

Record details

  • ISBN: 9780812971064
  • ISBN: 081297106X
  • Physical Description: 356 p.; 20cm ; cm.
  • Publisher: New York, NY : Random House, 2004.
Subject: Nafisi, Azar.
Nafisi, Azar.
English teachers-Iran-Biography.
English literature-Study and teaching-Iran.
American literature-Study and teaching-Iran.
Women-books and reading-Iran.
Books and reading-Iran.
Greoup reading-Iran.

Available copies

  • 1 of 1 copy available at BC Interlibrary Connect. (Show)
  • 1 of 1 copy available at Lillooet Area Library Association. (Show)
  • 1 of 1 copy available at Lillooet Branch. (Show)

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Lillooet Branch 920 NAF (Text) 35180000155480 Non-fiction Volume hold Available -
Bowen Island Public Library BIO NAF (Text) 30947000343463 Biographies Volume hold Checked out 2024-06-04
Parkland Secondary School 921 NAF (Text) BNSP1350250 Nonfiction Volume hold Available -

  • Booklist Reviews : Booklist Monthly Selections - # 2 April 2003
    Nafisi, a former English professor at the University of Tehran, decided to hold secret, private classes at her home after the rules at the university became too restrictive. She invited seven insightful, talented women to participate in the class. At first they were tentative and reserved, but gradually they bonded over discussions of Lolita, Pride and Prejudice, and A Thousand and One Nights. They neither draw exact parallels between the texts and their lives nor find them completely foreign. Nafisi observes: "Lolita was not a critique of the Islamic Republic, but it went against the grain of all totalitarian perspectives." Nafisi mixes literary analyses in with her observations of the growing oppressive environment of the Islamic Republic of Iran: women are forced to wear the veil at university and eventually separated in class from men. Bombs fall outside while Nafisi tries to conduct class. Nafisi's determination and devotion to literature shine through, and her book is an absorbing look at primarily Western classics through the eyes of women and men living in a very different culture. ((Reviewed April 15, 2003)) Copyright 2003 Booklist Reviews
  • BookPage Reviews : BookPage Reviews 2004 January
    Reading Lolita in Tehran

    This poignant memoir from Nafisi, a professor of literature who teaches at Johns Hopkins University, is sure to resonate with readers. A native of Iran, Nafisi left the country to attend university, then returned to become a teacher in Tehran. When she resigned from her school because of its repressive atmosphere, she formed a group with some of her best female students, and they began a secret study of Western literature. The meetings quickly became an outlet for political and personal debate, as the women shared stories of love, marriage and persecution under the Iranian government. Blending their personal anecdotes with wonderful evaluations of the work of Vladimir Nabokov, Jane Austen and F. Scott Fitzgerald, among others, Nafisi's book is a fascinating portrait of the female experience in modern-day Iran and a testament to the redemptive power of literature—a luxury most of us take for granted. A reading group guide is included in the book.

    Copyright 2003 BookPage Reviews

  • Choice Reviews : Choice Reviews 2003 October
    Nafisi details her experiences in Iran from 1979 to 1997, when she taught English literature in Tehran universities and hosted a private seminar on Western literature for female university students. Born and raised in Iran, the author offers readers a personal account of events in the postrevolutionary period that are often generalized by other writers. She was a witness to compulsory veiling, the "cultural revolution" that closed and purged the universities, the Iraq-Iran war (including missile attacks against Tehran), and the Ayatollah Khomeini's death. Nafisi provides readers with a view of Tehran during these tumultuous two decades and describes the ways that individuals resisted and defied the new regime's restrictive policies concerning both women's and men's behavior and dress. Readers interested in Western literature and the ways that key works could be interpreted by those living in different settings and times will find this book fascinating. Specialists on Iran, the Middle East, and Islam will also find the work unique, controversial, and informative. Summing Up: Recommended. Most public and academic collections and levels. Copyright 2003 American Library Association.
  • Kirkus Reviews : Kirkus Reviews 2003 February #2
    So you want a revolution? If your foe is an ayatollah, try reading Jane Austen.So exiled writer and scholar Nafisi (English/Johns Hopkins Univ.) instructs in this sparkling memoir of life in post-revolutionary Iran. A modest dissident during the shah's regime, a member of a Marxist study group like so many other Iranian students abroad ("I never fully integrated into the movement. . . . I never gave up the habit of reading and loving ‘counterrevolutionary' writers"), Nafisi taught literature at the University of Tehran after the revolution. After running afoul of the mullahs for having dared teach such "immoral" novels as The Great Gatsby and such "anti-Islamic" writers as Austen, she organized a literary study group that met in her home. Fittingly, the first work her group, made up of seven young women, turned to was The Thousand and One Nights, narrated by that great revolutionary Scheherazade. "When my students came into that room," Nafisi writes, "they took off more than their scarves and robes. . . . Our world in that living room became our sanctuary, our self-contained universe, mocking the reality of the black-scarved, timid faces in the city that sprawled below." Tracing her students' discussions and journeys of self-discovery while revisiting scenes from her "decadent" youth, Nafisi puts a fine spin on works that Western students so often complain about having to read--The Golden Bowl, Mansfield Park, Ulysses, Mrs. Dalloway. And, without once sinking into sentimentality or making overly large claims for the relative might of the pen over the sword, Nafisi celebrates the power of literature to nourish free thought in climes inhospitable to it; as she remarks, Vladimir Nabokov's novel Lolita may not have been a direct "critique of the Islamic Republic, but it went against the grain of all totalitarian perspectives," while enjoying the pages of Pride and Prejudice with friends served as a powerful reminder that "our society was far more advanced than its new rulers."A spirited tribute both to the classics of world literature and to resistance against oppression. Copyright Kirkus 2003 Kirkus/BPI Communications.All rights reserved
  • Library Journal Reviews : LJ Reviews 2002 October #1
    Lolita in Tehran? Yes, and plenty of other Western classics, read and discussed by a group of women who met secretly with Nafisi, an instructor at the University of Tehran until she was expelled in 1997 for shunning the veil and left the country. Copyright 2002 Cahners Business Information.
  • Library Journal Reviews : LJ Reviews 2003 April #1
    Nafisi taught English literature at the University of Tehran from 1979 to 1981, when she was expelled for refusing to wear the veil, and later at the Free Islamic University and Allameh Tabatabai in Tehran. In 1997, she and her family left Iran for the United States. This riveting memoir details Nafisi's clandestine meetings with seven hand-picked young women, who met in her home during the two-year period before she left Iran to read and discuss classic Western novels like Lolita, The Great Gatsby, and Pride and Prejudice. The women, who at first were suspicious of one another and afraid to speak their minds, soon opened up and began to express their dreams and disappointments as they responded to the books they were reading. Their stories reflect the oppression of the Iranian regime but also the determination not to be crushed by it. Nafisi's lucid style keeps the reader glued to the page from start to finish and serves both as a testament to the human spirit that refuses to be imprisoned and to the liberating power of literature. Highly recommended for all libraries. [For an interview with Nafisi, see p. 100.]-Ron Ratliff, Kansas State Univ., Manhattan Copyright 2003 Reed Business Information.
  • Publishers Weekly Reviews : PW Reviews 2003 March #3
    This book transcends categorization as memoir, literary criticism or social history, though it is superb as all three. Literature professor Nafisi returned to her native Iran after a long education abroad, remained there for some 18 years, and left in 1997 for the United States, where she now teaches at Johns Hopkins. Woven through her story are the books she has taught along the way, among them works by Nabokov, Fitzgerald, James and Austen. She casts each author in a new light, showing, for instance, how to interpret The Great Gatsby against the turbulence of the Iranian revolution and how her students see Daisy Miller as Iraqi bombs fall on Tehran Daisy is evil and deserves to die, one student blurts out. Lolita becomes a brilliant metaphor for life in the Islamic republic. The desperate truth of Lolita's story is... the confiscation of one individual's life by another, Nafisi writes. The parallel to women's lives is clear: we had become the figment of someone else's dreams. A stern ayatollah, a self-proclaimed philosopher-king, had come to rule our land.... And he now wanted to re-create us. Nafisi's Iran, with its omnipresent slogans, morality squads and one central character struggling to stay sane, recalls literary totalitarian worlds from George Orwell's 1984 to Margaret Atwood's The Handmaid's Tale. Nafisi has produced an original work on the relationship between life and literature. (On sale Apr. 1)Forecast: Women's book groups will adore Nafisi's imaginative work. Booksellers might suggest they read it along with some of the classics Nafisi examines, including Lolita, The Great Gatsby and Pride and Prejudice. Copyright 2003 Reed Business Information.
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